Canon XL2 3-CCD Camcorder
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The XL2 brings a host of performance and convenience features to this class of video camcorder- benefits that can't be found in this combination on other high-end video cameras. They include: Canon Super Range Optical Image Stabilization in the standard lens; dual aspect ratios; various frame rate capabilities; image gamma and detail controls; skin detail control and convertible LCD display and among others.
Unprecedented image control coordination between two XL2 cameras, remote
computer camera control and direct video recording to computer are just a part
of the capabilities of the XL2. Never before has so much creative power been put
in the hands of the film maker, video artist, and corporate and event
videographer.
Canon has satisfied the demands of experienced image makers for years through the power, design and quality of 35mm and broadcast TV lenses. Canon's Professional L-Series lenses utilize fluorite, a material that provides outstanding resolution, contrast, and color reproduction - especially in lightweight, high-magnification lenses. Incorporated into the XL2's 20x lens, fluorite delivers the ultimate in clarity and image quality. The fluorite element inside the lens defeats color aberration (an effect that causes a reduction in sharpness, contrast and color). The fluorite lens precisely controls components of light providing an excellent balance of these three critical ingredients of picture quality. This is unobtainable with conventional optical glass.
20x Optical zoom
Canon's 20x Professional L-Series Fluorite lens for the
XL2 is the equivalent, in 35mm format, of a 42.3 - 846mm lens when the camera is
recording in 16:9 widescreen format. When the 20x Professional L-Series Fluorite
lens for the XL2 is recording video in the TV-standard 4:3 aspect ratio, it is
the equivalent, in 35mm format, of a 51.8 - 1036mm lens.
Super Range Optical Image Stabilization (VAP type)
Canon's superb optical
stabilization system corrects camera shake instantly so even hand held shots, at
full telephoto, and shots taken from a moving car, are smooth and steady. And
since it is optical, there is no loss of image quality inevitable with
electronic image stabilizers. It perfectly complements the high picture quality
of the DV format.